Director Jill Li and Producer Peter Yam on the Making of, Celebrating 50 Years of New Directors/New Films, 2021 Lineup Announced, Announcing Our Spring Programming Slate and Reopening Health & Safety Protocols. Divided into seven sections, the film tells the legend of Liborio, a farmer who disappeared from his village near the beginning of the 20th century, only to be resurrected as a figure of spiritual healing and political rebellion, both an exalted messiah and a tangible human being. Saulė Bliuvaitė, 2020, Lithuania, 15m In her hypnotic documentary feature, Ethiopian-Mexican filmmaker Jessica Beshir explores the coexistence of everyday life and its mythical undercurrents. But when Pierce’s best friend Soldier (Ronnie Bell) gets out of prison, Pierce finds his own conflicts with the world around him coming to a head. This surreal, metaphorically resonant invocation of man’s attempts to harness and control nature is the visual centerpiece of a patient, lyrical documentary about a man of wealth and power—a former Georgian prime minister—and his heaven-and-earth-moving project to transport centuries-old trees from his country’s coastline to his own personal garden. The project was finally revived 20 years later, as the country was transitioning to a democracy, but now the film took on a different shape: Coutinho incorporated the earlier material as well as new interviews with those originally involved and reflections on the injustices of the interval, yielding a prismatically reflexive, genre-defying essay on political commitment and life under dictatorship. An unusually ambitious epic told in eloquently simple brush strokes, Mexican filmmaker Pablo Escoto Luna’s. (1975)—Belgian filmmaker Anna (Aurore Clément), on a promotional tour through a featureless northern Europe, fluctuates between intimacy and disengagement with a series of figures, including a one-night stand (Helmut Griem), a former lover (Jean-Pierre Cassel), and her distant mother (Lea Massari). Kwon Min-pyo & Seo Han-sol, 2020, South Korea, 79m Once there, he finds himself descending ever deeper into a sinister inner circle, connecting the country’s upper classes to the military junta’s ongoing “Dirty War.” A MUBI Release. Greek with English subtitles Charting the course of these natural wonders through every step of their journey, Jashi’s film is a magnificent vision of process and hubris. Limousine Rock Bottom Riser Hawaii’s swirling, roiling flow of volcanic lava provides the anchor for this energetic, visually and sonically bold cinematic essay by experimental filmmaker Fern Silva. Denise Fernandes, 2020, Portugal/Switzerland, 18m  Bebia, à mon seul désir A document of the experiences of a group of increasingly politically embattled people, Jin Huaqing’s film is also a clarifying work of faith and philosophical inquiry, set against a forbidding landscape. A Cinema Guild Release. All rentals for the virtual retrospective are free and open to the public. Box office hits. A Kino Lorber Release, Liborio Films listed in the order they will screen. This quietly observed sci-fi tale probes questions of home, belonging, and spirituality while reflecting a changing world mired in capitalistic exploitation.Â. Theo Anthony, 2021, USA, 109m Still from I Am Afraid to Forget Your Face. Surviving You, Always In this elliptical New York story, fragmented memories of a relationship are rendered poetic but not sentimental as images of a love lost are narrated by a mother and daughter pondering life and possibilities of happiness.Â. Some 49 editions of ND/NF later, we’ve come full circle: Solas’s vast black-and-white triptych, about three women negotiating their oppressive circumstances at three critical moments in Cuban history (the war for independence in the 1890s, the uprising against the Machado dictatorship in the 1930s, and the post-revolutionary 1960s), remains as astonishing and immersive today as it was way back when. New Directors/New Films at 50: A Retrospective lineup:  “At 50, New Directors/New Films is by definition, and in spirit, forever young,” added Hui. Using a prismatic storytelling approach, ultimately centering on the villagers’ fight for independence from occupying U.S. forces, Sosa weaves a tapestry made of multiple perspectives, a reminder that history is collective memory and shared myth. Â. With a finely tuned sense of impassive anxiety, Fabrizio Rongione (Two Days, One Night) plays a banker who has traveled from Geneva to Buenos Aires with his wife (Stéphanie Cléau) to disentangle the complicated threads left behind by a colleague who has mysteriously disappeared. Buoyed by an exceptional ensemble cast. In his hushed, wholly original approach to this fish-out-of-water set-up, Bak constructs a gentle, ambiguous fable of becoming, shot on 16mm and featuring a wondrous, naturalistic performance by his own mother, Anke Bak. Ultimately, they are all part of the same expanse, a continuum containing the entire universe. In a period defined by a series of pivotal national events—the Gwangju Uprising, which ended in the deaths of hundreds of people demonstrating against the military government; the subsequent repressive political environment; the rise and fall of the Korean economy—Yong-ho finds himself swept up by momentous forces beyond his control. In her magical, unpredictable second feature, Belgrade-born, globe-hopping artist Iva Radivojević has created a labyrinthine vision inspired by the writings of Jorge Luis Borges. Kim Mi-jo, 2020, South Korea, 75m Multiple flashbacks show ust his interim life, from 1979 to 1999. The tranquility of their life is interrupted when DK receives word that he has a son, the result of an affair with Bhavana (Supriya Pathak) during his 1973 visit to Nainital when his wife Indu was about to give birth to their first child Pinky (Urmila Matondkar). Mani Kaul, 1973, India, 72m Self-described “teenage acid casualties” in 1990s London find detachment and isolation rather than the doors of perception on their voyage through psychedelics. One night, her life is upended when she becomes the victim of a sexual assault by a coworker. An unusually ambitious epic told in eloquently simple brush strokes, Mexican filmmaker Pablo Escoto Luna’s All the Light We Can See is a daring work of minimalist gestures on a maximalist canvas, unfolding against the grand volcanic landscapes of Popocatépetl and Ixtaccihuatl. Wood and Water Presented here is a small selection of favorites from the first 30 years of the festival, showcasing early works from filmmakers such as Lee Chang-dong, Chantal Akerman, Charles Burnett, and, “At 50, New Directors/New Films is by definition, and in spirit, forever young,” added Hui. Swiss director Andreas Fontana brings an astonishingly assured eye to this gripping debut feature set in the cloistered world of high finance in Argentina in the 1970s. justly won a Sundance Jury Prize for the nonprofessional lead actor Jesmark Scicluna, and heralds the arrival of writer-director-editor Alex Camilleri, a gripping storyteller in the neorealist tradition of early Luchino Visconti and the Dardenne brothers as well as his mentor Ramin Bahrani (, ), a producer of the film and an alumnus of New Directors himself. James Vaughan, 2021, Australia, 84m In celebration of ND/NF’s 50th anniversary, FLC is offering $50 off all New Wave memberships for a limited time. Opening the festival is writer-director-star Amalia Ulman’s breakthrough El Planeta, a captivating portrait in miniature of a mother and daughter barely scraping by in Spain’s northwestern seaside town of Gijón. Initially using a static webcam aesthetic familiar to fans of recent first-person internet horror, Schoenbrun ultimately creates something unique, a film about deprivation and connection, dysphoria and desire, that allows its characters self-awareness and grace even as they descend deeper into dark interior spaces. Sleepwalk Additional funding is provided in part by the National Endowment for the Arts, and is made possible by the New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature. Resplendently realized in black and white by director Fernando Criollo, this documentary captures a place where the heavens meet the earth. Livia Huang, 2021, USA, 13m They often think about how to make Lesson Plan in Hindi? Nigerian-English with English subtitles A document of the experiences of a group of increasingly politically embattled people, Jin Huaqing’s film is also a clarifying work of faith and philosophical inquiry, set against a forbidding landscape. TRT: 84m A Utopia Release, As evidenced by his provocative 2016 feature debut, , Theo Anthony sees the nonfiction cinematic form as an opportunity for forensic exploration and an essayistic zeroing in on the entrenched biases that lie beneath our contemporary social and technological realities. We would like to show you a description here but the site won’t allow us. In this elliptical New York story, fragmented memories of a relationship are rendered poetic but not sentimental as images of a love lost are narrated by a mother and daughter pondering life and possibilities of happiness.Â. Multidisciplinary artist Ana Elena Tejera makes patriarchy personal, tracing its long shadow from Panama’s military dictatorship to her family. Bhavana did not tell DK about their son as she did not want to disturb DK's matrimonial life. Soon she absconds with the supposedly holy crustacean to return it to the legendary waters where it was caught—halfway across the country. The last 50 years of ND/NF prove that there is not simply one way forward, as young directors continue to blaze into the vanguard of filmmaking. Arie & Chuko Esiri, 2020, Nigeria/USA, 116m Georgian and Mingrelian with English subtitles All ticketing, scheduling, and film information will be available on newdirectors.org. Playing Away In celebration of ND/NF’s 50th anniversary, FLC is offering $50 off all New Wave memberships for a limited time. Expansive in its time frame yet intimate in scope. Constant movement defines the visceral feature debut of Indian filmmaker P.S. Vaughan’s ear for the casual cut-down and the solipsism of youth is matched by his refreshing affinity for structural surprise, climaxing in an extended, hilarious sequence at the home of a wealthy client of Ray’s that gently pushes the boundaries of comic realism. Suffice it to say, their best-laid plans are thwarted to hilarious effect, as the Trinidadian Ové brilliantly paints the absurd, at times clumsy ways in which disparate communities attempt to overcome their cultural differences. Burman won the Filmfare Award for Best Music for this film. ND/NF will close with, , winner of a Sundance Jury Prize for Experimentation in Nonfiction. in favor of a more open, wide-ranging structure to evoke the solitude of a woman drifting along the currents of history. Indu is unable to bear his heartbreak and intercepts Rahul before he is put on the train to Nainital, thereby accepting him into the family and wholeheartedly forgiving DK, after which they drive home happily. Azor — An email gets this started. Single mother Nicole (Suzanne Fletcher), a typesetter who happens to speak fluent Mandarin, is hired by a mysterious teacher (Stephen Chen) to translate an equally mysterious manuscript. ), so he transmutes himself into the man’s doppelganger. seSotho and isiZulu with English subtitles Following a long separation, a young man goes to great lengths to be reunited with his lover in this quietly devastating meditation on loss and devotion, awarded the short film Palme d’Or at the 2020 Cannes Film Festival. Amalia Ulman, 2021, Spain, 80m Indu (Shabana Azmi) and DK (Naseeruddin Shah) have a happy marriage and two daughters — Pinky and Minni — and live in Delhi. Cantonese, English, and German with English subtitles Apples Bipolar Initially using a static webcam aesthetic familiar to fans of recent first-person internet horror, Schoenbrun ultimately creates something unique, a film about deprivation and connection, dysphoria and desire, that allows its characters self-awareness and grace even as they descend deeper into dark interior spaces. In her strikingly filmed debut, Juja Dobrachkous employs unorthodox camera motion and crisp black-and-white imagery to craft a story of transformation, tradition, and identity. Consequently, Bill is caught in the act by one of his quarries, a debonair burglar named Cobb (Alex Haw), who introduces Bill to a voyeuristic world of breaking and entering, where prying into people’s lives takes precedence over stealing objects. Among the most revered works of Cuban cinema, Humberto Solás’s masterful Lucía never had its stateside premiere at the inaugural edition of New Directors/New Films in 1972 because the print failed to arrive from Cuba due to the U.S.’s embargo. Korean with English subtitles Wenders’s second feature, adapted from Peter Handke’s novel of the same name, is a tautly constructed, Hitchcockian tale of anomie and isolation. Beyond Is the Day endures as a seminal contribution to the Indian cinema of the 1970s. French with English subtitles Newly retired from her church job, Anke dreams of spending time with her grown children—including her uncommunicative and elusive son, Max, who has been living for years in Hong Kong, and who is unable to join his mother and sister back in Germany due to the ongoing pro-democracy protests. Home to the greatest selection of films and TV in a simple to navigate store, making it easy for you to buy DVDs online. In this gently drawn dystopia, Aris (Aris Servetalis) awakens one morning with no memory of who he is and where he’s going—the latest victim in an ever-widening pandemic of amnesia. Though inspired by the legacies of neorealism, the Esiri brothers find their own cinematic language, creating a tale of attempted migration and economic desperation that refuses to succumb to misery, maintaining a matter-of-fact awe for the vibrant life in a city of more than 14 million. Radivojević’s puzzle-like film is amusing rather than heavy-handed in its philosophical journeying, adding a few new wrinkles to the cinematic conventions of time and interconnectedness. A delightful meditation on young people’s discovery of the world around them, follows four middle school girls (members of their school’s photography club) who decide to spend a bit of their summer holiday seeking out the very ends of the earth. For cisgender Luziane (Natália Mazarim) and Cristiano (Rafael de Bona), a bar hostess and a wealthy soy farm scion, respectively, her death occasions vastly different kinds of rupture, while for Bianca (Pâmella Yule), a trans woman and friend of the deceased, it is a more tragically matter-of-fact instance of increasing violence perpetrated on their community. Welcome to Amazon.co.uk's DVD and Blu-ray store. Aleph The story pivots on the failed attempts of freelance videographer Ray (Fergus Wilson) to woo the disinterested Alice (Emma Diaz) during an impromptu camping trip, and the fallout back in Sydney. Resplendently realized in black and white by director Fernando Criollo, this documentary captures a place where the heavens meet the earth. Vinothraj, a tale of irrevocable social and familial breakdown. Masoom (transl. In a period defined by a series of pivotal national events—the Gwangju Uprising, which ended in the deaths of hundreds of people demonstrating against the military government; the subsequent repressive political environment; the rise and fall of the Korean economy—Yong-ho finds himself swept up by momentous forces beyond his control. Binh Horace Ové, 1986, UK, 100m Destiny leads hustler Luke (Mike Dytri) to meet film critic Jon (Craig Gilmore), who, like Luke, is HIV-positive. Arabic with English subtitles Silva erupts all notions of what one might expect from “nature documentary” filmmaking, and shows viewers familiar worlds made alien. Middle-aged Yong-ho (Sol Kyung-gu) appears to be on the verge of suicide at a 20-year reunion with friends. He could repair his leaky wooden luzzu boat in the hopes of eking out a meager living at sea for his wife and newborn son, just as his father and father’s father did before him. The feature debut of Greek filmmaker Jacqueline Lentzou confirms the bold formal experimentation and naked emotional interiority promised by her acclaimed shorts such as The End of Suffering (A Proposal). The rest of the lineup showcases work from a broad geographic range, with films from Iran, South Korea, Dominican Republic, Brazil, Nigeria, Australia, Greece, and Georgia; prizewinners from Rotterdam (Pebbles), Sundance (Luzzu), and Berlin (We); and many feature debuts. Korean with English subtitles Or he could cast his lot with a sinister black-market operation that is decimating the Mediterranean fish population and the livelihoods of the local families who depend on it. To her surprise, Ariadna is enlisted to carry out an arduous ritual—connecting back to Greek mythology—in which the family’s youngest must guide the soul of the dead to its final resting place. Filled with astounding telescopic imagery and engaging digressions into philosophically related phenomena, Rock Bottom Riser breaks temporal and generic boundaries, touching upon everything from astronomy to geology to ethnography, from the origins of the universe to colonialism’s remapping of our planet. It features Jugal Hansraj, Aradhana and Urmila Matondkar as child actors. Ainhoa Rodríguez, 2021, Spain, 98m Through careful observation of the movement of bodies in spaces imbued with memory and use of archival images, these intertwining threads reveal a tenderly crafted family portrait.Â. A hypnotic and enigmatic ghost story derived from a Rajasthani folktale. The story pivots on the failed attempts of freelance videographer Ray (Fergus Wilson) to woo the disinterested Alice (Emma Diaz) during an impromptu camping trip, and the fallout back in Sydney. Sameh Alaa, 2020, Egypt/France, 15m All rentals for the virtual retrospective are free and open to the public. Virtual rentals are $12 and in-theater tickets are $17. The residents decide to cap the festivities by inviting a West Indian cricket team from Brixton to come and play a charity match against the local side. A mischievous (and lonely) ghost seeking company fixates upon a beautiful young woman whose merchant husband is away on a five-year business trip (which began the day after their wedding! Tebogo Malebogo, 2020, South Africa, 10m In this nuanced, sophisticated, and wonderfully engaging documentary, filmmaker Alice Diop creates a kaleidoscopic portrait of people from largely Black and immigrant communities in the Parisian suburbs, their lives and work connected by the RER B commuter train that cuts through the city from north to south. stands among Burnett’s richest and most affecting meditations on the tragicomedy of everyday life. Hola, abuelo (Hi, Grandpa) With fluid storytelling and precise, detailed attention to quotidian life, Nigerian filmmaking duo Chuko and Arie Esiri have created a tale consisting of two parallel narratives, following a pair of characters trying to transcend their daily struggles in teeming Lagos. Nha Mila Despite the objections of Indu, who is devastated to learn of her husband's infidelity, DK brings the boy to stay with them in Delhi. Through an ingenious series of flashbacks, flash-forwards, and counter-flashbacks, Christopher Nolan’s wickedly clever feature debut ensnares its characters (and the audience) in a winding, startling, and utterly engrossing cinematic labyrinth. He died on July 6, 2011 in New Delhi, India. A beguiling and enigmatic nocturnal adventure set at the intersection of SoHo, Chinatown, and Tribeca, Sara Driver’s first feature begins in mundane daily life but imperceptibly drifts into the dreamlike realm of the trance film. Spanish with English subtitles There, she must deal with her mother’s embittered invective, as well as memories of the deceased, who instilled much confusion and doubt in her as a child. Though a deeply personal project—Beshir was forced to leave her hometown of Harar with her family as a teenager due to growing political strife—the film she returned to make about the city, its rural Oromo community of farmers, and the harvesting of the country’s most sought-after export (the euphoria-inducing khat plant) is neither a straightforward work of nostalgia nor an issue-oriented doc about a particular drug culture. Or he could cast his lot with a sinister black-market operation that is decimating the Mediterranean fish population and the livelihoods of the local families who depend on it. Together, they celebrate a vital festival that has helped launch some of cinema’s most glorious careers.”, Tickets for the 50th anniversary edition go on sale to the general public on Friday, April 16 at noon. Throughout its rich, half-century history, the festival has celebrated filmmakers who represent the present and anticipate the future of cinema, and whose daring work pushes the envelope in unexpected ways. We’re All Going to the World’s Fair Radiograph of a Family is a loving and evocative reminder of the human-scale fragility beneath every epochal social movement. Though a deeply personal project—Beshir was forced to leave her hometown of Harar with her family as a teenager due to growing political strife—the film she returned to make about the city, its rural Oromo community of farmers, and the harvesting of the country’s most sought-after export (the euphoria-inducing khat plant) is neither a straightforward work of nostalgia nor an issue-oriented doc about a particular drug culture. The residents decide to cap the festivities by inviting a West Indian cricket team from Brixton to come and play a charity match against the local side. But when Pierce’s best friend Soldier (Ronnie Bell) gets out of prison, Pierce finds his own conflicts with the world around him coming to a head. When Luke kills a homophobic cop, the stage is sety for an expressly nihilistic road trip–cum–crime spree that transmutes the hopelessness of the LGBTQ+ community—after years of dealing with ubiquitous bigotry, persecution, and the pathogenic horror of the AIDS epidemic—nto a lovers-on-the-run fever dream quite unlike any other. A mischievous (and lonely) ghost seeking company fixates upon a beautiful young woman whose merchant husband is away on a five-year business trip (which began the day after their wedding! A landmark work of the New Queer Cinema of the early 1990s, Gregg Araki’s third feature marked a visionary reinvention of the road movie, suffused with the ambient irony, despair, and anger in the wake of the AIDS crisis. Luzzu justly won a Sundance Jury Prize for the nonprofessional lead actor Jesmark Scicluna, and heralds the arrival of writer-director-editor Alex Camilleri, a gripping storyteller in the neorealist tradition of early Luchino Visconti and the Dardenne brothers as well as his mentor Ramin Bahrani (Man Push Cart, The White Tiger), a producer of the film and an alumnus of New Directors himself. The callow fumbling of wayward young people seeking romantic and professional satisfaction remains an ever-present theme of international cinema, yet Australian director James Vaughan has found entirely new, poignant, and hilarious ways to reveal his characters’ charms and deficits, privileges and blind spots. A hardworking Maltese fisherman, Jesmark is faced with an agonizing choice. Spanish with English subtitles The narrative of her parents—Hossein, a progressive-minded radiologist studying in Switzerland, and Tayi, the more devout Muslim woman he brings there from Tehran to marry—is also a valuable document of the history of contemporary Iran, deftly and movingly exploring assimilation versus tradition, and depicting her mother’s own awakening in the lead-up to the country’s cultural revolution that took shape in the late 1970s. A ghost story, an ode to nature, and an examination of the artifice of narrative, Escoto Luna’s film offers to its viewers a rich and immense folkloric power. Though inspired by the legacies of neorealism, the Esiri brothers find their own cinematic language, creating a tale of attempted migration and economic desperation that refuses to succumb to misery, maintaining a matter-of-fact awe for the vibrant life in a city of more than 14 million. Ariadna, a 17-year-old woman working as an international runway model, finds her life interrupted when she is summoned home to her rural Georgian village for her grandmother’s funeral. A remarkable, rare combination of frightening and tender, Jane Schoenbrun’s accomplished narrative debut is a hypnotic and destabilizing tale of the fragility of online existence and the human capacity for change. In this nuanced, sophisticated, and wonderfully engaging documentary, filmmaker Alice Diop creates a kaleidoscopic portrait of people from largely Black and immigrant communities in the Parisian suburbs, their lives and work connected by the RER B commuter train that cuts through the city from north to south. Short Vacation . P.S. But the ghost’s plan goes awry when the husband finally returns home… A strikingly stylized synthesis of folklore and cinematic modernism. English and Spanish with English subtitles With unforced deadpan humor, writer-director-star Amalia Ulman presents a captivating portrait in miniature of a mother and daughter barely scraping by in Spain’s northwestern seaside town Gijón. Using a variety of visual styles that miraculously cohere into one unified and unique aesthetic, theÂ, multihyphenate filmmaker and her collaborators offer. MoMA members will be able to view New Directors/New Films titles and the virtual retrospective for free on MoMA’s Virtual Cinema starting on April 16 for the virtual retrospective and April 28 for the ND/NF festival. Adding surreal touches to a nonfiction framework, Rodriguez casts nonprofessional actors who add an oddball authenticity to this portrait of a community, especially focused on the secret desires and mysterious energies of its women as well as its religious ceremonial pageantry. Destiny leads hustler Luke (Mike Dytri) to meet film critic Jon (Craig Gilmore), who, like Luke, is HIV-positive. Coasting on the considerable charms and decades-honed chemistry of its two stars, and shot in evocative, Jarmuschian black and white, El Planeta is a delightful and slyly dark breakthrough for multidisciplinary artist Ulman, whose film reminds us that every day, every gesture in our contemporary world is a performance. This year’s festival will introduce 27 features and 11 shorts to audiences nationwide in the MoMA and FLC virtual cinemas, and to New Yorkers at Film at Lincoln Center.Â, “From intimate, personal tales to political, metaphysical, and spiritual inquiries, the films in the 50th edition of New Directors/New Films embody an inexhaustible curiosity and a fearless desire for adventure,” said La Frances Hui, Curator of Film at The Museum of Modern Art and 2021 New Directors/New Films Co-Chair. El Planeta A Super Ltd Release. After goalkeeper Josef Bloch (Arthur Brauss) is ejected from a football match, he wanders around Vienna, spends the night with a cinema cashier, and commits a seemingly purposeless crime. Burman. Dark Red Forest The rest of the lineup showcases work from a broad geographic range, with films from Iran, South Korea, Dominican Republic, Brazil, Nigeria, Australia, Greece, and Georgia; prizewinners from Rotterdam (. This quietly observed sci-fi tale probes questions of home, belonging, and spirituality while reflecting a changing world mired in capitalistic exploitation.Â. Fernando Criollo, 2020, Peru, 18m Coasting on the considerable charms and decades-honed chemistry of its two stars, and shot in evocative, Jarmuschian black and white, is a delightful and slyly dark breakthrough for multidisciplinary artist Ulman, whose film reminds us that every day, every gesture in our contemporary world is a performance. French and Spanish with English subtitles The camera fills the role of a silent, pensive passenger in this documentary, tucked in the back of various stretch limos as they navigate the streets of Vilnius along with a vibrant assortment of fellow travelers: teens gossiping, older women commiserating, schoolchildren huddling together for strobe-lit selfies. Her subjects include a migrant from Mali working as a mechanic; her own sister, a community care worker making house calls to the elderly; the writer Pierre Bergounioux, expounding upon centuries of French history and inequity; and an energetic variety of young people enjoying coveted leisure time in their own corners of the banlieues. Its time frame yet intimate in scope, Stop-Zemlia finds New, graceful ways to limn the edges of adolescence... Named Illalu Priyuralu legendary waters where it was caught—halfway across the country provided by American and. 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