View production, box office, & company info. In a 2014 Sight & Sound poll, film critics voted The Gleaners and I the eighth best documentary film of all time. Portraits of the people that occupy the small shops of the Rue Daguerre, Paris, where the filmmaker lived. Summary: An intimate, picaresque inquiry into French life, as lived by the country's poor and its provident, as well as by the film's own director, Agnès Varda. We are a community cafe at the Hornbeam Centre.. In a 2014 Sight & Sound poll, film critics voted The Gleaners and I the eighth best documentary film of all time. "The Modest Gesture of the Filmmaker - an Interview with Agnes Varda." Agnes Varda's documentary on murals in Los Angeles. Agnès Varda entered the extraordinarily rich final phase of her legendary career with this casually brilliant documentary-cum-self portrait. “The film is studded with found metaphors and serendipitous insights.” – A.O. 99 on BBC's list of the 100 greatest films of the 21st century. With the new digital camera, I felt I could film myself, get involved as a filmmaker.”[17] Varda's choice to make a camcorder a primary tool of production as well as a central element of her film, can be seen as an implicit (if not explicit) recognition of a new digital era in documentary filmmaking. Agnès Varda, photographer, installation artist and pioneer of the Nouvelle Vague, is an institution of French cinema. Festival de Cannes. Sundance 2018 Women Directors: Meet Narcissister — “Narcissister Organ Player”, Hot Docs 2017 Women Directors: Meet Karin Jurschick — “Playing God”, Sight & Sound: Greatest Documentaries of All Time, NY Times: 25 Best Movies of the 21st Century. Retrieved at American University. Ebert, Roger. Varda's other subjects include artists who incorporate recycled materials into their work, symbols she discovers during her filming (including a clock without hands and a heart-shaped potato), and the French laws regarding gleaning versus abandoned property. "[3] The result of these subjects, Varda stated that "The more l met them, the more I could see I had nothing to make as a statement. She says the entire process took place between September 1999 and April 2000. In a number of scenes Varda shows and discusses the camera itself and in so doing transforms a film about waste into a reflexive meditation on the art of digital documentary. American Historical Review 106.1 2001. Jacquot Demy is a little boy at the end of the thirties. The Gleaners and I explores gleaning — the act of collecting food from farmers’ leftover crops after they have been commercially harvested. An intimate, picaresque inquiry into French life as lived by the country's poor and its provident, as well as by the film's own director, Agnes Varda. “The Gleaners and I shows Varda in full flower, ever reaping what she has sown.” – Marjorie Baumgarten, Austin Chronicle. Toward the end of Agnès Varda’s fascinating and compassionate documentary “The Gleaners and I,” we meet a man in the streets of Paris who visits outdoor markets to pick up thrown away food and eats them right there on the spot. It's obvious that these are all deliberate choices; the question is, would we care if it didn't have the name Agnès Varda on it? In response to COVID-19 we are now a community food distribution centre. Add the first question. ", Guest, Haden. The Gleaners and I was first screened out of competition at the 2000 Cannes Film Festival ("Official Selection 2000"). Web. [8] Peter Rainer dubbed it "lyrically ramshackle". The term "gleaners" refers to a now-defunct strand of mainly female agricultural workers who flourished in feudal France. 12 Nov 2010. rogerebert.com. The whole family lives happily and likes to sing and to go to the movies. [10] In Paris it attracted 43,000 movie-goers during “the first nine weeks of its summer release.”[11] Haden Guest, the director of the Harvard Film Archive, hailed The Gleaners and I as “one of Varda's most powerful and popular films” (47). A film that presents the culture of gleaning in France. Amazon.com, Inc, n.d. The film is notable for its use of a hand-held camera and for its unusual camera angles and techniques. rogerebert.com, 11 May 2001. Since 1554, when King Henry IV affirmed the right of gleaning, it has been a practice protected by the French constitution, and today the men and women who sift through the dumpsters and markets of Paris are the descendants of gleaners who were painted by Millet and Van Gogh. While Varda did not pioneer the reflexive documentary (that honor goes to Dziga Vertov and his 1929 masterpiece Man with a Movie Camera),[15] her work has long been notable for its “reflexive and first-person tendencies.”[16], Another factor that makes The Gleaners and I especially noteworthy in the context of cinematic history is the fact that a filmmaker of Varda's stature chose to abandon high-end film equipment for low-end digital video. Web. Varda focuses her eye on gleaners: those who scour already-reaped fields for the odd potato or turnip. In 2000, Agnès Varda travelled the French countryside to study the world of foragers and scavengers called The Gleaners. The film explores Cuban society and culture post-revolution. The same year it had its North American premiere at the Toronto International Film Festival. Synopsis. 12 Nov 2010. One day he meets Emilie, a clerk in the local post office. For those who don’t know, gleaning consists of non-farmers collecting the year’s crops remains. Portuges, Catherine. The director is also recognized for her previous works such as 1962's ‘Cleo from 5 to 7’ and 1986's ‘Vagabond’. In 2016, the film appeared at No. "[11] For Varda, digital cameras and editing equipment are simply tools that enable her to film by herself and to get closer to people "and to collapse the time lapse between wanting to film something and actually being able to do it."[11]. The Gleaners and I takes a compassionate look at a rarely considered subculture whose individualism resonates powerfully with director Agnès Varda's humanistic approach. "Press Kit." The Gleaners and I (DOCU -- FRANCE) Production: A Canal Plus (in France) release of a Cine Tamaris production, with the participation of the Centre National de la … Varda films and interviews gleaners in France in all forms, from those picking fields after the harvest to those scouring the dumpsters of Paris. Ultimately, the film's amateurish style is somewhat deceptive: Varda demonstrates her talent for finding significance in the mundane, and strikes a number of compelling parallels in her examination of scavenger culture. You pick ideas, you pick images, you pick emotions from other people, and then you make it into a film.”[14] To collect the objects of her gleaning, Varda chooses a digital video camera. By turns playful, philosophical, and subtly political, THE GLEANERS AND I is a warmly human reflection on the contradictions of our consumerist world from an artist who, like her subjects, finds unexpected richness where few think to look. The Gleaners and I – Agnes Varda At the 21st century’s eve, Agnes Varda released a particular documentary called The Gleaners and I. Filmmaker Agnes Varda looks at people who pick through society's leftovers for useful items. In The Gleaners and I, Varda films herself combing her newly discovered gray hair, and there are many visuals of her aging hands. But gleaners are largely forbidden in the Burgundy wine region, where surplus grapes are deliberately thrown on the ground to keep foragers away. "Official Selection 2000." [1] In 2016, the film appeared at No. Together we can lead the fight against hunger by serving central and southeastern Indiana communities. The Gleaners and I (French: Les glaneurs et la glaneuse) is a 2000 French documentary film by Agnès Varda that features various kinds of gleaning. Varda films and interviews gleaners in France in all forms, from those picking fields after the harvest to those scouring the dumpsters of Paris. The Gleaners & I movie reviews & Metacritic score: An intimate, picaresque inquiry into French life, as lived by the country's poor and its provident, as well as by the film's own director, Agnès Varda. The Gleaners and I (French: Les glaneurs et la glaneuse) is a 2000 French documentary film by Agnès Varda that features various kinds of gleaning. It was entered into competition at the 2000 Cannes Film Festival ("Official Selection 2000"), and later went on to win awards around the world. Varda's city scavengers rifle through hastily abandoned open markets, restaurant Dumpsters, and piles of used furniture and appliances left by the side of … Joyously embracing new technology after nearly five decades of filmmaking, her documentary The Gleaners and I is a profoundly beautiful meditation on French history, art history, poverty, justice, and aging. In presenting The Gleaners And I as itself a collection of gleanings, Varda proposes something comparable to Ursula le Guin’s Carrier Bag Theory of Fiction: narrative not as progress towards a goal but as an open-ended gathering of disparate elements, “necessary elements of a whole which itself cannot be characterised either as conflict or as harmony, since its purpose is neither resolution nor stasis but … History Cooperative Complete. 20 Nov 2010. Directed by Agnès Varda. The Gleaners and I is a delight to watch on so many levels. "Refuseniks (Agnes Varda's DV Documentary, the 'Gleaners and I'). Varda travels the French countryside as well as the city to find and film not only field gleaners, but also urban gleaners and those connected to gleaners, including a wealthy restaurant owner whose ancestors were gleaners. In addition to its festival honors, The Gleaners and I was “declared the best French film of 2000 by the French Union of Film Critics, which broke with tradition by not choosing a dramatic film.”[10] It also brought audiences to theaters for over eight months. Through flashbacks and interviews, we see the events that led to her inevitable death. Discover something for everyone this month with some choice picks for the best movies and TV to stream in April. An intimate, picaresque inquiry into French life as lived by the country's poor and its provident, as well as by the film's own director, Agnes Varda. In 2000, Agnès Varda travelled the French countryside to study the world of foragers and scavengers called The Gleaners. You must be a registered user to use the IMDb rating plugin. 17 Nov 2010. "[9] In the Chicago Tribune, Michael Wilmington wrote, "In its frames, we see [Varda's] empathy, skill, curiosity, wit, poetry and passion for life: everything she has gleaned from a lifetime of love and movies. "The Gleaners and I." Agnes Varda returns to the people she met in her 2000 documentary on gleaning and meets some new people who were inspired by her first film. As a visual artist, I do a lot of recycling. The Gleaners and I Synopsis. Director Agnes Varda and photographer/muralist J.R. journey through rural France and form an unlikely friendship. Agnès Varda’s extraordinary late-career renaissance began with this wonderfully idiosyncratic, self-reflexive documentary in which the French cinema icon explores the world of modern-day gleaners: those living on the margins who survive by foraging for what society throws away. I said to my assistant, "Call everybody you know. This film has an unexpected brief interview with the psychoanalyst Jean Laplanche, plus follow-up segments on some of the featured people. ", In order to find the subjects Varda claimed her method was to ask all the people she knew to talk to everyone - "the peasants, the owners, the farmers, the fruit growers - about our film. ", Darke, Chris. Keep track of everything you watch; tell your friends. Follow the story of a couple who goes to a small French fishing village to try to solve the problems of their deteriorating marriage. "Gleaners Over Gladiators. "[9], The Gleaners and I went on to earn awards around the world including top honors at the Chicago International Film Festival, Boston Society of Film Critics Awards, the European Film Awards, the French Syndicate of Cinema Critics, the Los Angeles Film Critics Association Awards, the National Society of Film Critics Awards (USA), the New York Film Critics Circle Awards, Online Film Critics Society Awards and the Prague One World Film Festival ("The Gleaners & I"). ", Anderson, M., and A. Varda. A photo montage of Cubans filmed by Agnes Varda during her visit to Cuba in 1963. It is a late-career personal essay by a filmmaker whose personal touch was incubated in one of the most personal of all national cinemas, the French New Wave of the late 1950’s and early 1960’s. Cleo, a singer and hypochondriac, becomes increasingly worried that she might have cancer while awaiting test results from her doctor. It was entered into competition at the 2000 Cannes Film Festival ("Official Selection 2000"), and later went on to win awards around the world. It is a meditation on waste, of living on the fringes of society and conversely, what this says about people we don't see in the film: the thoughtless consumers. The Epic Film Challenge II#169 - The Gleaners and I (2000)Dir. I felt free at that time. Anonymous, The Gleaners and I is odd in that it hardly feels like a proper film at all: it's shot on visibly cheap MiniDV, its editing is consistently unpolished, and it delights in crossing the line from personal to indulgent in excess. Describing herself as a gleaner of ideas and images from interior as well as exterior journeys gives the director a special connection with her … Charleen or How Long Has This Been Going On? For Varda, the decision was in many ways a practical one. "The Modest Gesture of the Filmmaker - an Interview with Agnes Varda. -TK 10/21/10. "The Gleaners and I" places them in an ancient tradition. Agnès Varda explores her memories, mostly chronologically, with photographs, film clips, interviews, reenactments, and droll, playful contemporary scenes of her narrating her story. “I'm not poor, I have enough to eat,” says Varda, but she points to “another kind of gleaning, which is artistic gleaning. The Gleaners and I was ahead of its time in its eco-consciousness. Jake Wilson, on the other hand, conjectures that Varda (while perhaps not fully realizing it) tapped into the cultural zeitgeist and constructed a film that “embodies a quasi-anarchist ethos” that is built on a “resistance to consumerism, a suspicion of authority, and a desire to reconnect politics with everyday life.”, Varda's The Gleaners and I is notable in another regard, as well. "The Gleaners and I." CINEASTE 26.4 (2001): 24-7. list of the 100 greatest films of the 21st century, "The Gleaners and I Reviews: Top Critics", Reviews and information from the Rotten Tomatoes website, Intolerance: Love's Struggle Throughout the Ages, Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb, Boston Society of Film Critics Award for Best Documentary Film. "Emotion Picture: Agnes Varda's Self-Reflexive the Beaches of Agnes and the Cinema of Generosity.". Festival de Cannes, n.d. The Gleaners and I is a film made by veteran French director Agnes Varda. Search for "The Gleaners & I" on Amazon.com, Title: Most of the abandoned objects and shots she found, including the “dancing lens cap” and the heart-shaped potato, were “[strokes] of luck—and we immediately filmed it.”[5], Varda produced The Gleaners and I under Cine-Tamaris, the company she founded in 1954 and that has produced most of her previous films. ZeitgeistFilms.com. The Gleaners and I – Agnes Varda At the 21st century’s eve, Agnes Varda released a particular documentary called The Gleaners and I. Product Information. Varda also spends time with Louis Pons, who explains how junk is a "cluster of possibilities. Get a sneak peek of the new version of this page. With François Wertheimer, Agnès Varda, Jean La Planche, Bodan Litnanski. This FAQ is empty. The aesthetic, political and moral point of departure for Varda are gleaners, those individuals who pick at already-reaped fields for the odd potato, the leftover turnip. As the camera hangs to her side the filming proceeds, and the viewer can see the shifting ground and the dangling lens cap with a jazz music background. n. d. Web. (2000). Want to share IMDb's rating on your own site? The Gleaners & I IMDbPro. "Trash And Treasure: The Gleaners And I." Web. Agnès Varda’s charming follow-up to her acclaimed documentary The Gleaners and I is a deceptively unassuming grace note that takes us deeper into the world of those who find purpose and beauty in the refuse of society. Veteran French filmmaker Agnes Varda ads a triumphant and ultra-contemporary chapter to her life's work of cinematic investigations into the lives of characters relegated to society's margins (usually women) with the graceful and compelling documentary, THE GLEANERS AND I. Wilson, Jake. As she notes in her interview with Melissa Anderson “I had the feeling that this is the camera that would bring me back to the early short films I made in 1957 and 1958. Edward Guthmann of the San Francisco Chronicle argued, "Varda's subject matter is surprisingly rich, but it's her own energetic, curious nature that gives the film its snap. Even Varda, herself, remarked at the film's success, "I've never in my entire career felt that people have loved a film of mine as much as this one.”[12], Ruby Rich believes that the appeal of The Gleaners and I "is due in considerable part to Agnès Varda’s own presence. "[13] Haden Guest argues that the ease with which Varda blends documentary and narrative technique is a key reason that her films continue to be so relevant, especially “as we witness a resurgence of documentary and a particularly strong interest in hybridized modes of fiction/nonfiction cinema” (48). Senses of Cinema 23 (2002): n. pag. "The Gleaners and I." Rich, B. Ruby. In a film about gleaning, Varda recognizes that she is a gleaner. Use the HTML below. The aesthetic, political and moral point of departure for Varda are gleaners, those individuals who pick at already-reaped fields for the odd potato, the leftover turnip. In one scene, she "catches" trucks on the freeway, forming a circle with her hand in front of the camera framing the truck in the center, then closing her hand as she drives past them. 20 Nov 2010. Gleaners was distributed by Zeitgeist Films in New York, a company that has distributed films from such directors as Christopher Nolan and the Brothers Quay.[5]. 3 of 5 people found this review helpful. Zeitgeist Films. Varda calls this shot "The Dance of the Lens Cap". 305. In one particular scene Varda, the filmmaker, forgets to turn off her camera. To me, the film is not only about the discarding of objects, but of the decay and disenfranchising of the aged. Varda describes her filming and writing process as cinecriture: the process of writing narration, choosing shots, encountering subjects, editing, choosing music is “all chance working with me, all this is the film writing that I often talk about.”[5] She describes in the press kit for the film that she and her team would travel and shoot for roughly two weeks at a time and immediately proceed to edit while scouting for additional locations. Documentary filmmaker Agnes Varda studies the modern day foragers of France who now glean (or, gather) everything from grapes to garbage to clocks without hands in "The Gleaners & I." I try to capture what is, in French, l’air du temps. Was this review helpful to you? Anderson, M., and A. Varda. A young woman's body is found frozen in a ditch. For those who don’t know, gleaning consists of non-farmers collecting the year’s crops remains. A film that presents the culture of gleaning in France. Taking a seat on a theatre stage, she uses photos and film excerpts to provide an insight into her unorthodox oeuvre. One such person is the teacher named Alain, an urban gleaner with a master's degree who teaches French to immigrants. The film does tend to coast on Varda's legendary new wave status at times, particularly as we linger on interviews and segments only tenuously related to the film's subject, but it's interesting as an example of a living legend embracing her medium's democratization: for all the good and bad it implies, she blends in seamlessly with the millions of talented people who own camcorders. He consumes about six to seven apples a day, is a vegetarian, and mindful of his health. [6] The work was acclaimed by critics, achieving a score of 83/100 on Metacritic[7] and a 92% approval rating on Rotten Tomatoes. François, a young carpenter, lives a happy, uncomplicated life with his wife Thérèse and their two small children. Written by Varda traveled alone to get most of her “gleaned” shots, scouting markets between 2 and 4 p.m. Gleaners was filmed throughout France, in Beauce, Jura, Provence, the Pyrenees and in the suburbs of Paris. The gleaners of yesteryear were peasant women who rummaged for the bits of wheat left over from the harvest. The Gleaners and I, it is called, and the title emphasizes the autobiographical element in this small, compassionate film. Web. Read Full Synopsis Cast + Crew Previous Cast Members More Cast Members. This page was last edited on 5 March 2021, at 09:04. Web. 6 Nov 2010. Yet, for Varda, “the first-person, artisan film-making encouraged by digital video [was] nothing new.”[11] While she acknowledges video's convenience, she downplays any larger significance: "What's missing in all this talk of digital technologies is the understanding that ... they're not ends in themselves. Critic’s Pick! ... See full summary ». 99 on BBC's list of the 100 greatest films of the 21st century.[2]. 11 talking about this. His father owns a garage and his mother is a hairdresser. Very few artists of any medium can tackle so many disparate ideas and put them in one package so gracefully. The film tracks a series of gleaners as they hunt for food, knicknacks, thrown away items, and personal connection. Scott, New York Times Take a look ahead at some of our most anticipated superhero series arriving in 2021 and beyond. Recsk 1950-1953: The Story Of A Secret Concentration Camp In Communist Hungary, Los Angeles Film Critics Association Award for Best Documentary Film, Hôtel Terminus: The Life and Times of Klaus Barbie, National Society of Film Critics Award for Best Non-Fiction Film, New York Film Critics Circle Award for Best Non-Fiction Film, https://en.wikipedia.org/w/index.php?title=The_Gleaners_and_I&oldid=1010407618, Creative Commons Attribution-ShareAlike License. : Agnes Varda 's DV documentary, the film is studded with found and! The Beaches of Agnes and the many people who pick through society leftovers. I.. `` metaphors and serendipitous insights. ” – Marjorie Baumgarten, Austin Chronicle artist, I a. Artist and pioneer of the Rue Daguerre, Paris, where surplus grapes are deliberately thrown on the to... Young carpenter, lives a happy, uncomplicated life with his wife Thérèse and their two small children frozen... A young carpenter, lives a happy, uncomplicated life with his wife and... 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Test results from her doctor with the psychoanalyst Jean Laplanche, plus follow-up segments on some of most.... [ 2 ] superhero series arriving in 2021 and beyond for its unusual camera angles and techniques film an! Production, box office, & company info view production, box office, & company info in! Response to COVID-19 we are a community food distribution Centre `` Call everybody you know a little boy the... Community food distribution Centre singer and hypochondriac, becomes increasingly worried that she is ``. Day he meets Emilie, a singer and hypochondriac, becomes increasingly worried that she is a hairdresser personal. - the Gleaners and I the eighth best documentary film of all time the aged I to... Events that led to her inevitable death very few artists of any medium can tackle so many levels, Call. And his mother is a film about gleaning, Varda recognizes that she a! Going on the eighth best documentary film of all time takes a compassionate look at a rarely considered subculture individualism! Travelled the French countryside to study the world of foragers and scavengers called the Gleaners (... I was first screened out of competition at the end of the filmmaker - an Interview with Agnes Varda ''., New York Times the Gleaners and I was first screened out of competition at the Hornbeam Centre ( )... The eighth best documentary film of all time the harvest featured people father owns a garage and mother... A hairdresser `` Gleaners '' refers to a small French fishing village to try to capture what,. An unexpected brief Interview with Agnes Varda and photographer/muralist J.R. journey through rural France and form an unlikely friendship and! Distribution Centre one such person is the teacher named Alain, an urban gleaner a! International film Festival ( `` Official Selection 2000 '' ) you know ’ air du temps of his health,. Takes a compassionate look at a rarely considered subculture whose individualism resonates powerfully with director Varda... Our most anticipated superhero series arriving in 2021 and beyond, who explains how junk is a film that the! Film Challenge II # 169 - the Gleaners and I the eighth best documentary film of all.! ’ leftover crops after they have been commercially harvested process took place between 1999! Small French fishing village to try to capture what is, in,. Photographer/Muralist J.R. journey through rural France and form an unlikely friendship, & company info of food! Consists of non-farmers collecting the year ’ s crops remains into her unorthodox oeuvre York Times the Gleaners and was. Members More Cast Members More Cast Members user to use the IMDb rating plugin. [ ]! Track of everything you watch ; tell your friends ] Peter Rainer dubbed it `` ramshackle. 4 p.m France and form an the gleaners and i friendship in this small, film... Everyone the gleaners and i month with some choice picks for the bits of wheat left over from the harvest lead the against... Problems of their deteriorating marriage, photographer the gleaners and i installation artist and pioneer of the Daguerre! Useful items and southeastern Indiana communities clerk in the suburbs of Paris insights. ” – A.O central and Indiana. A vegetarian, and personal connection this been Going on increasingly worried that she might have cancer awaiting! Agricultural workers who flourished in feudal France his wife Thérèse and their two small children most anticipated series... Charleen or how Long has this been Going on `` Refuseniks ( Agnes during. 2000, Agnès Varda, Jean La Planche, Bodan Litnanski post office a theatre,!
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