[24] Roundabout produced a benefit concert of the show with O'Hara, Ellis, and Carlyle in 2016. ", This page was last edited on 4 April 2021, at 02:50. Fred is bowled over, and the play reaches its triumphant finale ("Kiss Me Kate"), with Fred and Lilli back together as a real couple. Kate, however, has no intentions of getting married ("I Hate Men"). MamaJoSews. The original Australian production played from February 1952 at His Majesty's Theatre, Melbourne, before seasons in Sydney, Brisbane, Perth and Adelaide until 1954. Fred Graham and Lilli Vanessi, a divorced couple, meet at Fred's apartment to hear Cole Porter perform the score for his musical version of The Taming of the Shrew, to be directed by Fred and called "Kiss Me Kate". There are no featured audience reviews for at this time. Shakespeare Unlimited: Episode 122A new production of Kiss Me, Kate is on Broadway now. She sees that it is addressed to Lois, and attacks Fred/Petruchio mercilessly on stage, ad-libbing verbal abuse. Color that lasts 4-18 hours between breakfasts, coffee, meetings, lunches & Happy Hour!! PPG1235-1. Directed by Sam Spewack with choreography again by Holm, this production starred Patricia Morison, Bill Johnson, Adelaide Hall and Julie Wilson. Hermes Pan choreographed most of the dance routines. Listen to Kiss Me, Kate! Devotees of the stereoscopic 3-D medium usually cite this film as one of the best examples of a Hollywood release in polarized 3D.[5]. Kiss Me Kate Boutique is a specialty store for the fashion conscious woman. Australian actor Ron Randell was cast as Cole Porter.[6]. Lilli realizes she still has feelings for Fred, but for Fred, it was just for old time's sake. Kiss Me, Kate (Original, Musical, Comedy, Broadway) opened in New York City Dec 30, 1948 and played through Jul 28, 1951. When Bill is angered by Lois' behavior, she admits that though she loves Bill, she cannot resist the advances of other men ("Always True To You In My Fashion"). She radiates a delectable fragrance filled with notes of apple, citrus, and raspberry. Suddenly, Lilli reappears on stage, delivering Kate's speech about how women should surrender to their husbands ("I'm Ashamed That Women Are So Simple"). Petruchio sets about "taming the shrew", but later reminisces about his days of philandering ("Where Is The Life That Late I Led?"). The only thing keeping the show together are threats from a pair of gangsters, who have come to collect a gambling debt. Bill is shocked to overhear this, but Lois tells him that even if she is involved with other men, she is faithful to him in her own way ("Always True to You in My Fashion"[4]). Katherine hates the idea of getting married, destroying a tavern. Kiss Me, Kate was Porter's response to Rodgers and Hammerstein's Oklahoma! Throw in a number of cases of mistaken identity, the mob, and comedic routines into the mix and you get Kiss Me, Kate -- a dazzling Broadway classic that earned the very first Tony award for Best Musical. [2], Although Kiss Me Kate is often referred to as the first 3-D musical, Those Redheads From Seattle, also a 3-D musical, was released by Paramount Pictures on October 16. Cole Porter plays the song "So in Love" for both Fred and Lilli. The story involves the production of a musical version of William Shakespeare's The Taming of the Shrew and the conflict on and off-stage between Fred Graham, the show's director, producer, and star, and his leading lady, his ex-wife Lilli Vanessi. Offstage, Lilli furiously declares she is leaving the show. Bosley Crowther of The New York Times called Kiss Me Kate "one of the year's more magnificent musical films ... a beautifully staged, adroitly acted and really superbly sung affair—better, indeed, if one may say so, than the same frolic was on the stage. The suitors hatch a plan for him to marry Kate, as Baptista is rich. A film version of the same name was released in 1953. A song with an asterisk (*) before the title indicates a dance number; a character listed in a song with an asterisk (*) by the character's name indicates that the character exclusively serves as a dancer in this song, which is sung by … He runs into Lois, and she recognizes him as a former lover but promises not to tell Lilli. The film does not. [22] The production was revived at London Coliseum briefly in June 2018, following a return visit to Leeds Grand Theatre in May 2018. "Sadler's Wells Scores Triumph With, Outstanding Performance of the Year by an Actor in a Musical, Outstanding Performance of the Year by an Actress in a Musical, Best Performance by a Leading Actor in a Musical, Best Performance by a Leading Actress in a Musical, Best Performance by a Featured Actor in a Musical, Best Performance in a Supporting Role in a Musical, "National Recording Registry To 'Ac-Cent-Tchu-Ate the Positive, "OTAGE "Kiss Me, Kate", has something new", RSC Performances Kiss Me Kate, Stratford-upon-Avon, RSC Performances Kiss Me Kate, Savoy Theatre, "Cole Porter's Kiss Me, Kate | Welsh National Opera", "Corbin Bleu and More Will Join Kelli O'Hara and Will Chase in Broadway's 'Kiss Me, Kate'", " 'Kiss Me, Kate', Starring Kelli O'Hara and Will Chase, Ends Broadway Run June 30", "Nominations Announced for 85th Annual Drama League Awards", "Hadestown, Tootsie & Oklahoma! centers on a cast putting on a musical version of William Shakespeare's The Taming of the Shrew and the conflict on and off-stage … Tell me how can you be jealous When you know, baby, I'm your slave? "Too Darn Hot” ~ part two, dance Orchestra with Ensembl interections 15, Shrew Entr’acte “ve Come To Wive It Wealthily in Padua” and “We Open in Venice” Orchestra 15a. [1][2] In 1949, it won the first Tony Award for Best Musical. (330) IMDb 7.1 1 h 49 min 1953 NR. The original production starred Alfred Drake, Patricia Morison, Lisa Kirk and Harold Lang. Fred decides to accept the IOU and convinces Lippy and Slug that he needs them to keep Lilli from leaving the show so it will be successful enough for Fred to pay the debt. They recall the operetta in which they met, which included "Wunderbar", a Viennese waltz; they end up fondly reminiscing and singing and dancing. The gangsters were played by Emil Wolk and John Bardon, who shared the 1987 Olivier Award for Outstanding Performance of the Year by an Actor in a Musical, while McAuliffe won the Olivier for Outstanding Performance of the Year by an Actress in a Musical. It was directed by John C. Wilson and choreographed by Hanya Holm. 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